The Real Barrier to Disaster Preparedness Is a Failure of Imagination, Not Logistics

Source: https://www.theguardian.com/profile/emmabrockes. "How’s your apocalypse stockpiling coming on? Three weeks in, mine has hit a few snags | Emma Brockes | The Guardian." September 17, 2026. www.theguardian.com

The Gist

The author jokes about her pathetic attempt to stockpile emergency supplies after a government campaign, and uses this to make a broader point: people don't prepare for disasters not because they can't, but because it's genuinely hard to imagine catastrophe seriously. She suggests that dry government advice fails to spark this imagination, while disaster novels and movies do a better job of making the threat feel real.

Conclusion

Government stockpiling campaigns are failing not primarily because of practical obstacles like space or cost, but because people have a psychological and imaginative failure to seriously confront the possibility of catastrophe, and this attitude problem must be addressed through better imaginative engagement rather than bureaucratic checklists.

Premises

  1. Despite a government advisory campaign (Prepare) urging stockpiling of specific items and water quantities, the author's own three-week attempt has resulted in minimal, haphazard preparation (uncharged torch, mismatched plasters, two cans of tuna, sparkling water, expired painkillers).
  2. The author identifies the core problem as attitudinal rather than practical: people struggle not because they lack means but because it is hard to genuinely imagine catastrophic scenarios.
  3. This collective avoidance is evidenced by the public's muted response to warnings about AI risks, suggesting a broader societal pattern of dismissing large, uncomfortable threats.
  4. Human psychological resilience—our tendency to move past recent trauma like the pandemic—paradoxically undermines preparedness by making people forget or minimize the plausibility of disaster.
  5. Official resilience planning documents (like local resilience forum lists) fail to inspire real preparation because bureaucratic, tabular language drains the sense of urgency or threat from catastrophic scenarios.
  6. By contrast, fiction (e.g., Station Eleven) succeeds in making disaster vivid and imaginatively real, suggesting that narrative and imaginative engagement—not government checklists—are what actually motivate preparedness thinking.
  7. The author's own ad hoc, half-serious survival fantasies (using books for firewood, cats for warmth) show that people can engage playfully with disaster scenarios when framed narratively, even if this doesn't translate into practical action.

Assumptions

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